This is not the largely abandoned Rapture of BioShock. And when Booker follows Elizabeth out of the office, suspense is briefly replaced by nostalgia. Elizabeth's high heels clatter on Booker's wooden floor, and the office's half-closed window blinds cast a band of shadows on the dingy wall. Striking visuals and sounds at first intimate suspense. It's a cryptic opening that shares thematic ties with BioShock Infinite: again, you are off to find an unknown girl for reasons that you don't yet comprehend. You, too, know this girl, and her identity is the mystery that catalyzes this short, story-driven adventure. Elizabeth wants Booker-that is, you-to find this girl. Elizabeth blows smoke from the side of her mouth and shows Booker a photograph of a young girl and the girl's doll. Booker lights Elizabeth's cigarette with his bare flaming finger, rather than a lighter. It is December 31, 1958, a storied date in Rapture's history, and Elizabeth is not a wide-eyed young woman, but a femme fatale who slinks into the room seeking Booker's assistance. Elizabeth enters Booker DeWitt's office, but she is not the Elizabeth you once knew. They often tug at your heart or stimulate your imagination, but fail to coalesce into a lucid whole. Beautiful moments, sad moments, perplexing moments. Now Playing: BioShock Infinite: Burial at Sea - Episode 1 Video Reviewīurial at Sea is about moments. By clicking 'enter', you agree to GameSpot's
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